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An exhibition exploring photographic
family portraits and the family album. Featuring work from the National
Portrait Gallery Collection, and new work by Chinese families from
across the UK. Traditionally
the family has been the most important unit in Chinese society and
culture, and in China this is often still true. But what about Chinese
families living in Britain? How have their family values been integrated
into, or influenced by, British culture? In Cherish: Chinese Families
in Britain Chinese families from London, Manchester and Glasgow have
worked with three professional photographers to explore these themes.
Using the National Portrait Gallery
collection, the participants have also explored how families are
represented in family portraits, and how we document our own families in
family albums. Displayed alongside the new work by the participants and
Chinese photographers are works from the National Portrait Gallery
collection, which reveal a range of ways that the family is portrayed.
From the austere and formal 19th century portrait of Dante Gabriel
Rossetti, Christina Rossetti and their family, to the intimate
photograph of Laurence Olivier, Joan Plowright and their infant Richard.
Developed in partnership with the
Chinese Arts Centre in Manchester, Cherish has evolved out of
three-community based projects, led by: Pamela So, working with families
in Glasgow; Yan Preston, working with families in Manchester; and
Anthony Lam with families in London. The resulting exhibition is a
diverse celebration of family and cultural history.
Each family has brought a different
approach, and their own perspective to the project. For many of the
families, food and allotments were a recurring theme central to family
life, and Chong's family in Glasgow have been represented by the
installation of a potting shed, decorated with photographs of his
Malaysian Chinese family.
In recent years digital photography has
expanded the concept of the family album. The Ang family use digital
photography to document the important journey back to their roots in
Malaysia.
Many of the families have enjoyed
exploring old family photographs and considering their own heritage. In
Manchester the Lee family have created a timeline of their family
history using intriguing original family photographs, and the Lam family
have interpreted the brief by building a 3D family tree complete with
branches and leaves.
In London, families from the Soho Family
Centre have used postcards to take us on a journey to their version of a
traditional British seaside holiday in Clacton. One of the fathers, a
Chinese chef, has cleverly used the food in his restaurant as a metaphor
for the family and Chinese family values.
Cherish has provided a unique
opportunity for the Chinese community to represent themselves within a
national gallery. The families have all worked with leading Chinese
photographers who have given them the skills and confidence to document
their own lives. This is a really important exhibition as it presents a
realistic glimpse of Chinese contemporary life in Britain and draws our
attention to the similarities, and differences, between these families
and our own.
Sarah Champion, CEO, of the
Chinese Arts Centre
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